VSL Vienna Ensemble Pro 6 is your total cross-platform MIDI and audio LAN solution. Deploy Vienna Ensemble Pro 6 as a host on your DAW machine to. VSL Vienna Ensemble Pro 6 gives you full integration with Vienna MIR Pro (installed with Vienna Ensemble Pro 6, license available separately), which can be opened from within Vienna Ensemble Pro 6. Instantiating Vienna MIR Pro on any channel of Vienna Ensemble Pro 6 will route that channel's signal to MIR, which can run on the same computer.
Are you a serious composer looking for more power from your virtual instruments and effects? Look no further than Vienna Ensemble Pro 6 by Vienna Symphonic Library.
Join studio pro Eli Krantzberg as he reveals all the solutions to your production system needs! Eli covers all the important features and functions in the newest version 6 of VEP, including download and setup, standalone and server file management, Navigating the GUI, routing, slaving another computer, automation and much much more! See the individual tutorial descriptions below for more info. If you use Vienna Ensemble Pro 6, this series is a must see!
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• In 2009 Vienna Ensemble Pro provided the solution to running huge instrument libraries across multiple computers. There was none of the messing around you had with FX Teleport or VST Link, this was a definitive cross-platform network solution. Designed initially for their own Vienna Symphonic Library (VSL) it enabled producers to create full orchestra scores. And if you run out of resources, you just added another Mac or PC for instant headroom. Along with the VSL, Vienna Ensemble Pro can also host other 32bit or 64bit VST/AU instruments such as Kontakt or Omnisphere. The MIDI and audio data all runs over a regular network and there’s no need for additional audio interfaces or proprietary connections.
It really does break down the processing barriers and offers a scaled approach to music production, composing and virtual instruments. So what’s new in Vienna Ensemble Pro 6? Well firstly they’ve reworked the code in an effort to offer improved performance in terms of the graphical interface and the internal processing. They talk about a 70% and 80% improvement respectively which seems astonishing and certainly very welcome. In improving the graphics they also added high DPI support so that the interface doesn’t do the tiny shrink thing when running a retina or high density display.
On the organisational front they’ve worked all the running instances into a single tabbed “server” window which is probably the most asked-for feature. They’ve also thrown in some rather garish colour which clashes a bit with the usual sombre ‘pro’ grey. However, there’s a good reason for this in that the colours represent an instance of Vienna which will also be shown on the plug-in in the DAW. This makes it far easier to see which plug-in is attached to which instance, playing which instrument – nice! Clicking on the plug-in also brings the attached instance to the front of the server. You can now group and folderise channels. They appear to have worked hard on the whole workflow in what had become a bit of an unwieldy interface.